It's really interesting how differently we can see things! I thought the limo bit was really funny. I didn't get the sense that either of them were being very serious. I thought Glenn's "You never know what those kids'll do" was deliberately exaggerated and amusing. I love it when Don tells the driver to lock the door and then realises he's not even there! "NOW lock it." Haha. I also find myself laughing when Glenn pushes in front of Don to get into the car and Don says in a deep voice "No, no, you first, I insist." I love their little humorous exchanges. It strikes me how little they have changed really... their personalities are still pretty much the same. It's clear to me now how passionate, driven and ambitious Glenn is, and always has been - and how impulsive and excitable he can be. He knows it, too. I liked it when he said to Joe "I get nuts sometimes and I'm sorry." We're all who we are!
I didn't feel any ill will towards Glenn whilst watching the film. I can understand how people might think someone is an asshole for demanding more money or whatever (because most of us don't live in that kind of world) but I was surprised to find myself mostly agreeing with what Don and Glenn said. Not that I don't feel sorry for Bernie, Randy and even Felder... but I genuinely believe that whatever happened happened for the good of the band. Glenn said he began to sing less and less "because we had Henley". Glenn wasn't a hypocrite - he always did what was best for the band and he expected the same from the others. I totally respect that. The Victim of Love thing illustrates that point perfectly... I can understand why Felder wanted to sing it and, in some ways, of course it would have been nice to let him sing his song, but that's not what a meticulous and phenomenally successful band does. They HAVE to do what's best for the band - and there's no doubt that Don Henley singing makes for a much better record. Felder admits that. Don's analogy about Felder demanding to sing VOL being akin to him demanding to play lead guitar on Hotel California is totally accurate, and I don't think it's unkind. Put in that context, it makes perfect sense to me.
Back to the old footage, I love those sweet, humorous moments that come through in the clips. I really got the sense of the band being like brothers - just ordinary guys hanging around in often extraordinary situations. It made me realise how well Don and Glenn got on - it really was them against the world at the beginning. I know Don has had his wild moments, but I think it's really endearing that he's always been kind of quieter and more serious than the others - it's obvious how worried he was during the airport situation in the Bahamas (lol) and the fact that he was the only one who agreed with Glyn Johns about the 'no alcohol/drugs' rule in the studio says a lot about his maturity, even in the early '70s.
I just really enjoyed seeing all of that old footage and getting to know them as young men. It brings it all to life, for me - the passion, the arguments, the desire, the hard work, the fun and the silliness - and I can't get enough of it! I was a bit apprehensive about watching the DVD after all of the bad feeling generated from it, but I can honestly say that I have a new-found respect for the band. It's obvious how hard they have always worked and how each member put the success of the band as a whole at the top of their list. If Glenn really was an egocentric asshole, I'm pretty sure he would be demanding to sing much more than he does and that he and Don would have come to bitter blows a long, long time ago. The Eagles are so successful because the band is bigger than any of the individual members... and that's the way they have always wanted it.