I missed J.D.’s first guest DJ segment but I managed to listen to the repeat. Shun already gave most of it so I will just add a few details while it’s fairly fresh in my mind.
J.D. starts off by saying he will be playing his favorite Eagles songs plus some others. He says he was fired from being a college DJ for playing too much John Coltrane. He promised not to do that this time.
1. New Kid in Town -“magnificently put together.” He had the chorus for about a year. There were a couple of Cuban players in his band at the time and the chorus became more Cuban over time (this is a bit confusing to me b/c this song never struck me as having a “Cuban” flavor but more Southwesten/Border town feel). At some point Don and Glenn called him, they sat around a picnic table and threw down some pieces of music they all had. He showed them the chorus and about 8 months later the song was finished. It’s one of his favorite Glenn vocals with a beautiful arrangement and beautifully sung.
2. Polly by Dillard & Clark- “beautiful waltz” When he was in a duo with Glenn, they performed this on stage. When JD’s friend Bucky Baxter asked if there are any songs his musician son should listen to for inspiration, JD suggested this one. He and Glenn had listened to this one frequently for a couple of months.
3. Cry Like a Lover This was what JD called it, more than once. Maybe this was the original title and he forgot or was never told there was a change, lol. He says he started it and had 2 verses, nothing else. He played it for Joni Mitchell. There was a certain line, “see the sky through the stone and wood” that JD felt was clumsy and awkward. But it was Joni’s favorite line so it stayed. The harmony and other parts came later; he assumed all done by Don and Glenn. He didn’t seem to remember if he had helped with those parts too. He commented about how it starts as a simple song then has this build-up towards the end.
4. Little Girl Blue written by Richard Rogers and Lawrence Hart- “beautiful ballad” As a classical pianist, Nina Simone starts with a familiar melody we all recognize as “Good King Wenceslas” and ends up with a beautiful combination of 2 compositions.
5. Victim of Love - his association with this song started a little late. It was based on a Don Felder guitar riff -“a really good one by the way”- it was finished at the Criteria Studios lounge upstairs while Bill S. was downstairs overdubbing guitar parts. Later they realized the song was a few lyrics short (fwiw, I recall reading that Don F had written about 1/4 of the lyrics) and they could hear Don F and Joe working on their guitar solos downstairs. Basically the song came together in a rush.